School of Visual & Performing Arts

Department of Music : Audition Information

Audition Requirements for BA, BS, BM-Performance, and Music Minor

Bachelor of Music: Performance Option
Bachelor of Science in Music Education
Bachelor of Arts in Music
Minor in Music

Woodwinds
Bassoon

  1. 12 major scales and arpeggios
  2. One slow and one fast etude from Weisenborn or similar etude book
  3. One movement of a standard sonata or concerto (Mozart)
  4. Sightreading

Clarinet

  1. 12 major scales and arpeggios
  2. One slow and one fast etude from Klose
  3. One movement of a standard sonata or concerto (Mozart, von Weber, Brahms)
  4. Sightreading

Flute

  1. 12 major scales and arpeggios
  2. One slow and one fast etude from a standard etude book
  3. One movement of a standard sonata or concerto (Mozart, Vivaldi, Bach)
  4. Sightreading

Oboe

  1. 12 major scales and arpeggios
  2. One slow and one fast etude from Barrett
  3. One movement of a standard sonata or concerto (Mozart, Vivaldi, Bach)
  4. Sightreading

Saxophone

  1. 12 major scales and arpeggios
  2. One slow and one fast etude from Ferling-48 Studies
  3. One movement of a standard sonata or concerto (Creston, Glazounov, Heiden, Milhaud, Ibert, Dubois)
  4. Sightreading

Brass/Percussion
Euphonium

  1. 12 major scales and arpeggios
  2. One slow and one fast etude from any standard etude book (Bordogni/Rochut, Kopprasch, Arban etc.).
  3. One movement of a standard sonata or concerto.
  4. Sightreading.

Horn

  1. 12 major scales and arpeggios
  2. One slow and one fast etude from a standard etude book
  3. One movement of a standard sonata or concerto (Mozart, Strauss,)
  4. Sightreading

Trumpet

  1. 12 major scales and arpeggios
  2. One slow and one fast etude from Arban
  3. One movement of a standard sonata or concerto (Hayden, Hummel, Piston)
  4. Sightreading

Trombone

  1. 12 major scales and arpeggios
  2. Etude #6 from “Melodious Studies” by Rochut/Etude #6 from “36 Studies” by Blume
  3. One movement of a standard sonata or concerto (example: “Morceau Symphonique” by Guilmant
  4. Sightreading

Tuba

  1. 12 major scales and arpeggios
  2. One slow and one fast etude from any standard etude book (Burdogni, Blazhevich, etc.)
  3. One movement of a standard sonata or concerto
  4. Sightreading

Percussion

Note: Students majoring in percussion must demonstrate competency in three of the four areas below:

Mallet Instruments (Marimba, Vibraphone or Xylophone)

    1. 12 major scales and arpeggios
    2. An etude from a standard etude/method book (Goldenberg, G.H. Green, etc.)
    3. One movement of a standard sonata or concerto (Tanner, Creston, Rosauro, etc.)

Snare Drum

    1. Rudiments (PAS List)
    2. Two solos/etudes: 1) Rudimental Style and 2) Classical Style
    3. Sightreading

Timpani

    1. Basic technique: strokes, rolls and tuning basic intervals (fourths and fifths)
    2. Movement from a Sonata or Concerto ( Beck, Carter, etc.)

Drum Set

    1. Demonstrate basic technique in several styles (swing, latin, funk, etc.)
    2. Demonstrate basic snare drum technique (Rudiments from PAS List)
    3. Two of the following tunes (or similar tunes): 1. Straight No Chaser by Thelonius Monk; 2. Satin Doll by Duke Ellington; 3. Blue Bossa by Kenny Dorham; 4. Oleo by Sonny Rollins; 5. Ladybird by Tadd Dameron; 6. Tune-Up by Miles Davis. Play melody on drums and comp for other soloists, trade fours.

Keyboard/Strings
Piano

    1. 12 major scales and arpeggios (two hands), four octaves
    2. Perform from memory, three contrasting solo classical selections. One selection should be by J.S. Bach [For Example: 1) A Prelude or Invention by J.S. Bach; 2) A Sonata by Haydn, Mozart, Schubert, or Beethoven; 3) A selection from the romantic, impressionistic or contemporary periods.]
    3. Sightreading

Organ

WCSU is no longer accepting students with organ as their major instrument.

Violin

    1. 12 major scales and arpeggios, three octaves
    2. One etude from Kreutzer or Dont, Opus 37
    3. One movement from a Bach unaccompanied sonata or partita
    4. One movement of a standard concerto (Mozart #4, Lalo Symphonie Espanole, Bruch g minor)
    5. Sightreading

Viola

    1. 12 major scales and arpeggios, two octaves
    2. One etude from Kreutzer
    3. One movement from a Bach unaccompanied suite (transcribed for viola)
    4. One movement of a standard concerto (Telemann)
    5. Sightreading

Violoncello

    1. 12 major scales and arpeggios, two octaves
    2. One etude from Popper
    3. One movement of a Bach Suite
    4. One movement from a standar concerto (Hayden, Dvorak, Schumann)
    5. Sightreading

Bass

  1. 12 major scales and arpeggios
  2. One slow and one fast etude from a standard etude book (Simandl, Hertl)
  3. One movement of a standard sonata or concerto (Marcello, Vivaldi, Bach)
  4. Sightreading

Classical Guitar

    1. 2 octave C major scale.
    2. Sor, Aguado or Giuliani etude of easy to intermediate level, preferably memorized. (Comparable etude of Brouwer or Garcia)
    3. Sight read from excerpts of ‘Sight Reading For Guitar’ by Richard Benedict. (Vol 1)

Jazz Guitar

    1. 12 major scales and arpeggios, two octaves
    2. A solo transcription from the Charlie Parker Omnibook
    3. Sightreading
    4. Two of the following tunes (or similar tunes):
      1. Straight No Chaser by Thelonius Monk;
      2. Satin Doll by Duke Ellington;
      3. Blue Bossa by Kenny Dorham;
      4. Oleo by Sonny Rollins;
      5. Ladybird by Tadd Dameron;
      6. Tune-Up by Miles Davis

Voice

    1. Prepare at least two memorized songs in contrasting styles; one in English and one in a foreign language.
    2. Sight sing, with reasonable accuracy, a simple vocal melody.
    3. NOTE: an accompanist will be provided for you.